james rosenquist
︎Painting
︎ Mat Maitland
james rosenquist
︎Painting
︎ Mat Maitland
︎ Mat Maitland
"The immense scale of the pieces felt like you were viewing them in IMAX format"
Rosenquist died in March and it brought back into focus my first intoxicating experience seeing his work. It was a show about 15 years ago in a disused warehouse behind the Truman Brewery in East London. The immense scale of the pieces felt like you were viewing them in IMAX format, it was astounding. Being a collage artist myself, albeit a digital one, I was mesmerised by the collage technique he used in many of his paintings, surely not lost on Jeff Koons who surely tipped his hat to Rosenquist when making his Easy Fun series in the mid nighties.
Rosenquist died in March and it brought back into focus my first intoxicating experience seeing his work. It was a show about 15 years ago in a disused warehouse behind the Truman Brewery in East London. The immense scale of the pieces felt like you were viewing them in IMAX format, it was astounding. Being a collage artist myself, albeit a digital one, I was mesmerised by the collage technique he used in many of his paintings, surely not lost on Jeff Koons who surely tipped his hat to Rosenquist when making his Easy Fun series in the mid nighties.
He began his working life as a billboard painter in America and like many Pop artists of the era adapted advertising and recontextualized it into fine art helping to define the Pop Art movement of the 60’s. However, my favourite work is from the 80s and 90s.
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